NanoLumens® Studio Pro Series Broadcast LED Displays Debut On Three Continents


Less than two months after making its debut at the regional SMPTE conference in Atlanta, Georgia, the NanoLumens Studio Pro Series broadcast LED displays is quickly rewriting the rules of broadcast set design, according to NanoLumens Executive Vice President of Business Development Karen Robinson. In fact, Studio Pro displays are already operational in London, Atlanta, and Beijing, with more on the way.
“Our Studio Pro Series outperforms all other display technologies including LCD, plasma and projection systems,” Robinson said. “With features like a six-inch thickness, 100,000 hour lifespan, 1,000 nit brightness, 4K camera compatibility, incredible off-axis viewing performance, light weight, low energy consumption, zero heat and zero noise operation, plus the ability to create a display of any shape, size and curvature, we’re offering broadcasters an opportunity that no one else can match.”
Thanks to the NanoLumens’ patented Moiré Elimination Technology, the Studio Pro Series can be used in literally every type of broadcast environment. Simple maintenance and extreme longevity eliminate the need for expensive bulb replacements and provide peace of mind that the display will always work when it needs to. The added benefit of producing no sound or heat helps to reduce headaches and even reduce cooling costs in the studio.
Because every Studio Pro display is only six inches deep no matter how large the screen area, they also save precious floor space where a projection system could require 10 feet or more to produce such a large image. Add in the ability to custom design the display to any size, shape and curvature – think circles, hearts, even columns and wrap-around displays – and it’s clear that the Studio Pro gives set designers more freedom than ever before with virtually unlimited placement options and creative usage of digital displays.
Unlike competing technologies, the white balance on Studio Pro displays is adjusted using a SMPTE chart and a vector scope to produce a perfect white-balanced image. The series also features fully adjustable brightness up to 1,000 nits and excellent dynamic contrast with a matte finish that minimizes glare from studio lighting. What’s more, the series’ superior off-axis viewing provides broadcasters with the freedom to film from up to 170 degrees horizontal and 160 degrees vertical.
The Studio Pro Series accepts input from a variety of devices and systems. There is no need for special software, hardware or specialized personnel to display content. Additionally, NanoLumens has tested and certified several 4K cameras for use with the Studio Pro line including Sony and Canon models.